A walk into The Shire

A walk into The Shire: 22nd May 2020

On the evening of the 22nd of May, we went for a very long walk with my cousin’s step son, Harry. It feels a bit technical and impersonal to call him my cousin’s step son, and because he refers to me as his uncle, I should probably call him my nephew. When you’re one of three gay siblings, you take what you can in terms of younger relatives!

Harry lives in East Finchley, probably less than a fifteen minute walk from our house, and, ever since his wonderful mother died last year, we’ve tried to see him as regularly as we can. He’ll always be an important part of our clan.

It was his idea to go for a walk. One of the joys of walking with people during lockdown was that you could cover some serious distances because the very act of walking was the sole thing which was allowing people to legally be together. In the very early days, just sitting on a bench for a breather was viewed with great suspicion. I once watched a tired dog-walker being moved on by an over-zealous policeman. I remember having a furtive sandwich on one occasion, sitting on a wall in a secluded street in Hampstead with a friend, looking around us like we were doing an illicit drug deal! But the bottom line was that if you wanted to be with someone whilst staying within the rules, you just had to keep on walking...

Harry’s visit, therefore, was the perfect opportunity to head down to the Dollis Valley Green Walk, to see what kind of adventure it could offer us.

As I’ve written recently, this North-London, ten-mile footpath follows Dollis Brook from Hampstead Heath deep into the Green Belt. The Green Belt, by the way, is a 7-10 mile wide area of green space which entirely surrounds London. No one is allowed to build on it, so it stops the city from sprawling whilst giving city dwellers a “girdle” of open space in which to breath clean air.

Nathan and I had hitherto only walked a couple of miles along the stream, and we were keen to see where else it would lead us.

Dollis Brook really is the most wonderful little stream. Parts of it seem to be winterbourne, or, at least only active after a decent amount of rainfall. It has, of course, been a particularly dry year, so perhaps it’s of slight concern that the brook is empty in several places. I always panic about the fish. I wonder if they have a sense that a river is drying up and manage to swim to safety down stream. Perhaps they simply end up floundering and panicking in ever-shrinking pools; a ready-made meal for a passing kingfisher.

The brook is entirely lined by tall trees, all of which change colour with the seasons from lime green to orange and brown. Sun glints on the surface of the water like diamonds, and shines through the branches of the trees to create intricate and beautiful lace-like patterns on the pathways. The birdsong is intense. Magpies, crows and parakeets squawk, caw and croak tunelessly (and yes, there are many parakeets in North London), whilst robins, thrushes and blackbirds show off their virtuoso vocal prowess. On one magical occasion, I heard a cuckoo. It was so clear and cuckoo-like that I thought it had to be fake! In May, the whole pathway is lined with wild garlic. Delicate white flowers tumble down the banks of the stream whilst the air hums with the scent of Italian cooking! Next year I shall make pesto.

Wild garlic near Dollis Brook

The brook snakes up through suburban housing estates, allotments, golf and cricket clubs before splitting into two separate streams. The right-hand fork, which is officially Dollis Brook, heads up to Totteridge and Whetstone, flanked by the designated Green Walk. The left-hand fork is known as Folly Brook. The path is a little wilder and less well-trodden, so it was this fork which we decided to explore with Harry.

The further north you walk, the more the suburbs peter out. Playing fields and bramble-bedecked wooden fences and walls give way to scrubland and then heathland, and then, through the dark trees which surround the brook, you see open fields with horses and cows. Most non-city dwellers reading this blog will be doing so with quite a healthy dollop of “so what”, but when a Londoner like me realises that he can walk from his house into the actual countryside, he gets a little excited. It reminds me of my childhood. I grew up in a fairly rural environment, always aware of the changing seasons. Things were difficult when weather became inclement. When the mists rolled in from the fens, or the snows fell, or the Nene flooded, or winds took trees or electricity cables down, we knew about it. We couldn’t get to certain places. We’d have power cuts. In the city, by and large, things just carry on as normal.

The open fields of the Green Belt

The greatest thing about Folly Brook is that it suddenly enters a sort of woodland, which resembles Middle Earth. The path takes you through entirely enclosed walkways of shrubs, and gnarled, twisted hawthorn branches which feel like secret passageways. Fallen trees have become stiles and bridges. Ferns grow tall. Everything is green, verdant, Jurassic almost, and utterly magical. Rhododendron trees with pink, purple, blue and white flowers thrive in the marshy ground. And climbing up a steep ridge, you suddenly find yourself standing by the beautiful Darland’s Lake. A lone heron perches on a log waiting for fish to pass. Leaves rustle in the trees. The mayhem of London is another world away. There’s no traffic noise. You could be in the middle of nowhere. In any period of time.

Darland's Lake

Turn right at the lake and you’re in an area of open heathland scattered with gorse, buddleja and butterfly-laden wildflowers. A steep, wind-swept hill takes you up towards Totteridge Village. If you stand on the hill and look behind you, you can see nothing but green, rolling countryside. The odd Merchant Ivory-style, grand manor house pokes its head above the trees, and, back in the direction of the city, a few distant cranes are all that could ever remind you that you’re not in the middle of the Chilterns in the 1930s.

Harry in the heathland looking back towards the city

Waiting at the top of the hill is the famous Orange Tree pub, which was not open back in May, but will be now. When a global pandemic isn’t raging, it’s the perfect place to sit and eat a hearty plate of grub in a pub garden. We went there with Nathan’s Mum and Ron about a year ago. The only issue was the wasps, which we trapped in bottles of lemonade. 

Our journey back to Finchley found us following Dollis Brook itself, after walking along the road to Totteridge and Whetstone. It’s a less magical, but still very pleasant walk which takes you through a water meadow, which is rather romantically called Whetstone Stray.

Whetstone Stray

Over the following months, we have walked variants of that particular trip on countless occasions. Brother Edward came up to Finchley on the 16th June, on the 30th of June, Nathan's birthday, we had a very pleasant walk with his sister, Sam, his nephew Lewis and their dog Ginny, and on 11th of July, Nathan and I turned left at Darland’s Lake, and found ourselves walking out of the Tolkien novel and entering the world of Lewis Carroll. Steep paths lead up and down the hillsides in this part of the greenbelt, many of which are lined by incredibly tall hedges, just as I imagine the garden in Wonderland.

Brother Edward by a rapidly-drying Darland's Lake

So, in a very peculiar way, we have to thank Covid-19, because, I think, it has encouraged many of us to explore our local areas in almost forensic detail. For the first time ever, I have thought, “I wonder where that path leads?” and instead of walking on, I’ve merrily headed down the path to take a look. As a result, I have found great beauty, little hidden pastures, absolute peace and tranquillity - and, a week ago, 2kg of blackberries!

Ginny and her family by Darland's Lake

Nathan, Lewis, Sam and Ginny in Middle Earth

Zoom Seder

April 8th 2020: A Zoom Seder

The period of Passover/Easter this year was the first time many of us became aware of the true horrors of lockdown. These two simultaneous festivals, are a time when friends and families gather together and much-loved annual traditions take place: Easter Egg hunts at your Grannie’s house, spring-welcoming ceremonies in ancient stone circles, parades, carnivals, rare visits to church or synagogue, the creation of palm crosses, and, of course, for Jewish people, the almost bewildering set of rituals associated with the Seder meal. It was this period which made us realise what we were truly missing and what might not be with us again for some time. Sure, we’d all experienced the queues, the boredom, the lack of loo paper, aspirin, yeast, baked beans, the worry about our jobs and the general panic and fear about catching the blessed illness, but it was the lack of human contact which made most of us feel so hopelessly sad. And not being able to spend time with friends and family during this holiday brought it all home.

For the last three years, I have celebrated Seder at my wonderful friend Felicity’s house. I don’t think Felicity would mind my saying that, despite being a highly successful QC and a massive supporter of the arts, cooking for friends and family is probably the most important thing in her life. She hosts Friday night dinners for scores of people every week, but it’s the two Passover meals - which celebrate the story of Moses - which are probably the most important meals of them all. Like most Jewish families, Felicity’s crew have developed a series of joyous, charming, unique and theatrical responses to the countless rituals associated with the occasion, and these serve to make a Seder meal at her house an unmissable event.

Being unable to invite people to her house this year was a horrifying thought, so, she decided to organise a Seder Zoom. And when I say organise, I mean she meticulously planned every aspect. The day before the meal, she delivered two Seder boxes with all the food, curios, plates, napkins, matzah, table cloths, candles, books of prayers, songs and stories, table decorations and instructions we’d need for the following night. It truly was a one-stop Seder-shop. The instructions were incredibly detailed, from when to lay the table to when to get the food on to avoid any conflict with religious rules. Felicity always decorates her tables with scores of miniature frogs to represent, probably the most palatable of the ten plagues. You don’t want a table crawling with blood, lice or boils, do you? (Although a thunderstorm of hail and fire might be fun to recreate!) I was very touched and excited, therefore, to discover a lot of little frogs in our Seder box. She'd also given us both a little gift. Knowing I'm a collector of cufflinks - and one of the world's largest ABBA fans - she'd found me a beautiful pair with the word Abba (which means father) written in Hebrew on them. 

We set up a make-shift table out of a pair of ottomans in the sitting room. Once decorated, it really did look a picture, and, of course, the house was simultaneously filling with the rich, glorious smells of the food we’d been sent.

I think there must have been ten or so households on the Zoom call. It was the early days of Zoom, when no-one quite understood the concept of the mute button. For a while all we could hear was a terrible, echoing, nightmare wave of sound - and, at a crucial moment everyone suddenly started to sound like daleks. The sound of mastication got quite overwhelming at one point when one of the guests decided to eat his soup very close to his computer’s mic. But none of that mattered, because we were all together. We all had the same food. The same books. And Felicity had worked out which sections of text we were all going to read out to one another. It was heartening, warming, and, at times, highly moving; a very bright light within a very dark time.

Psalm 23

April 13th 2020: A new recording

The fog of my own COVID illness finally started to clear in early April. I knew it was dissipating because I finally found myself wanting to write music again.

At the same time, people from my synagogue were dying. On one occasion I attended a joint Zoom shiva for two men who had died on the same day. My heart broke to see Ethel, the husband of one of them, sitting there, entirely on her own, in the flat where her husband had passed away, still suffering from the illness which had killed him. I felt utterly helpless. We all did. We couldn't be there in person. It was just horrifying.. 

Ethel and her husband Judah were both huge fans of our synagogue choir and I instinctively knew that I needed to write something which had a chance of bringing just a modicum of hope or comfort to the scores of people who were suffering. 

I wrote to our rabbi and asked him which of the psalms he felt had a message which might best speak to people who were frightened or grieving and he immediately suggested Psalm 23, The Lord Is My Shepherd. After reading the words I knew not just that I wanted to set it to music, but furthermore that I needed to step up to the plate and sing it myself. I am usually rather happy hiding in the background when it comes to performing. I like being part of a choir primarily because, whilst I love making music, I’ve always suffered crippling embarrassment and nerves when asked to perform anything solo. I have the typical voice of a director in my head at all times which says, "what DO you look and sound like?!"

The piece wrote itself in minutes. I have seldom had such an immediate musical response to words. Obviously, setting Hebrew text brings its own set of challenges. I had to run everything past Michael to make sure I was stressing all the correct syllables. Scantion is something I’m fanatical about. Nathan, who is even more fanatical about it than me, taught me well!

I asked Julian Simmons if he would produce the track for me. We decided that I could send him midi files of all the different instrumental parts and trust him to make sensible choices in terms of the pads and samples he used. We've been working together since 2002, so I knew that everything could be done remotely in this manner. We wouldn’t need to sit in a studio together, even though that's the way we'd always worked before.

I asked Fiona to add some violin, and she recorded herself playing in her front room in her house in a village just outside Glasgow. I loved that we were making music like this. It somehow felt like we were beating the virus. My body had beaten the virus and now creativity was beating it as well.

The track the three of us created felt epic and emotional and all that remained was for me to record the vocals. I do not have a good enough microphone at my house, so, after much discussion, we decided it would be okay for me to go to Julian’s house in Crouch End to record it. As long as we were never in the same room and could be linked-up via headphones, it felt like we weren’t being foolish, or breaking too many lockdown rules. 

So, in the middle of Passover, on Easter Monday, in fact, I drove through the entirely empty streets of North London from Finchley to Crouch End. The weather was incredible. Spring really did suddenly rush in this year. I pulled up outside Julian’s house, texted to say I was there, and the front door was opened for me. My instructions were to head up the stairs, and go into a room where a mic had been set up with a music stand and a pair of headphones which I put on. I took a kippa out of my pocket, placed it on my head, and then heard Julian’s deeply familiar and hugely friendly voice in my ear. It really was a wonderful moment. Julian's wife, Carla, is a vicar, so we were actually recording the piece in a rectory! I don't know why this felt quite so right. It was Passover, but it was also Easter and Psalm 23, of course, has as much resonance with Christians as it does with Jewish people, so, I reckon I was in exactly the right place. 

“Shall we do this?” Julian said. And for the next hour, I sang my heart out. I thought about Ethel and Judah most of all. I remember looking out through the window into Julian and Carla's garden, seeing the sun and the lime green buds bursting on the trees, and, for the first time in I don’t know how long, feeling a sense of optimism. I sang well. The notes sailed out with great ease. And, before I knew it, everything was in the can.

I stood on the street by my car, and Julian and Carla brought their son, Yuvi to the front door for me to meet for the first time. We chatted for five minutes, standing maybe ten meters apart, I blew kisses, got back in my car and drove home, feeling very happy, and incredibly hungry.

The photograph below shows the transliterated Hebrew words to the psalm, with all my marks indicating where the stresses needed to fall, alongside literal English translations of the words. I really did my homework! 

And if you'd like to hear the piece again (or for the first time), please click here

Central London Lockdown

Photograph(s) Two: Central London. May 2nd and 4th 2020.

In the very early stages of lockdown, Central London seemed like a no-go zone. I remember seeing a set of photographs taken by newsreader, Sophie Rayworth, which showed all the familiar tourist hotspots almost eerily empty.

On two occasions, quite close together, I found myself walking into Central London, once with my friend Michael and once with Nathan, on both occasions to experience something I felt I would never have a chance to witness again. And some of the things we saw on those two walks have embedded themselves in my mind, probably forever. They were both deeply moving and hugely magical.

The most astonishing aspect was the complete silence. The nearer to the centre of London we walked, the more empty it became. Take away the tourists, the workers, the theatre goers, the revellers and the people who have second homes in the country, and you’re not left with a great many people. Food shops up in Finchley were open and positively thriving, but everything in the West End was closed, and a great many shops and cafes were entirely boarded over. Some of the larger shops like Liberty and Selfridges had security guards standing outside, and very often these were the only people we saw.

Standing on the South Bank and being able to hear nothing but the wind rustling the masts of boats on the Thames was hugely eerie. Hearing St Paul’s Cathedral’s bells chiming the hour whilst crossing an entirely deserted Hungerford Bridge some 2 kilometres away was nothing short of miraculous. Walking around Covent Garden and hearing our footsteps echoing in the roof of the covered market was beyond spooky. Whilst with Michael, I walked for about four blocks, all the time hearing the sound of an alarm in the misty night air. It was the sort of sound which would have been blotted out by traffic noise within a second of hearing it in a normal London.

Piccadilly Circus was particularly weird. The huge LED billboards had been replaced by a giant, blue screen which merely read “NHS”. There were no cars. Almost no people. The occasional bus or cyclist drifted past, silhouetted perfectly against the dark light. You could hear the spokes of the bicycle wheels clicking as they passed.


On one of my visits, I chatted to a homeless man whilst standing on the steps underneath Eros. These steps are usually packed with tourists screaming at each other in a hundred different languages over the yells of traffic, but we were almost whispering to each other. “Where did you study?” asked the incredibly well-spoken, middle-aged homeless man, half way through our chat, “York” I said… “ah, I’m an Oxford man, myself…”

Nathan became rather tearful whilst walking down an empty Shaftesbury Avenue underneath the glowing marquees of the closed theatres. This is his world - his community - and seeing the ghosts of shows was too much for him. For me, standing in the middle of that particularly road took me back to an Autumnal Sunday morning in 2006 when we were shooting the apocalyptic movie, 28 Weeks Later. I worked both as a casting director and as the acting coach on the film, and we did a lot of filming on empty streets. I wrote about it in my blog on March 30th this year. We shot a sequence in the very spot where I was standing on Shaftesbury Avenue - and, to be fair, everything was as crazily empty back then… except for the massive film crew. And, even at 6am on that Sunday morning, we had to do pedestrian and traffic lock-offs for three minutes at a time. We’d finish the shot and then a stream of bemused people and angry-looking drivers would file past. This wasn’t the case back in early May this year…

The other notable aspect of my trips into Central London was the darkness. This was partially created by many of the main landmarks, including the London Eye, the National Theatre and the fountains in Trafalgar Square being lit up in the dark blues and purples of the NHS colours, but it was further enhanced by large areas of the city not being lit up at all. Large swathes of buildings on the Thames were in complete darkness and most of the bridges were unlit. And possibly, as a result of less pollution (both light and from traffic fumes), the skies were much darker. I have never seen stars in the skies above central London before. I’m used to a sort of milky, orange, halogen glow, with clouds reflecting light back into the city. Not so on May 4th.

A return to blogging - with a different mind-set

I can’t tell you how many times I’ve sat down this year, written all, or most of a blog-post and then decided not to publish. Most of the time I’ve been too frightened of the consequences of having an opinion in a divided world where, unless you are happy to put your name to the exact wording of a script which has been written by a bunch of shrieking virtue-signallers, you’re considered to be a right-wing fascist, and dispatched accordingly. I am trying as hard as I can to avoid anything which is triggering: anything which brings back the hell of what happened to Nathan exactly a year ago.

We entered lockdown talking about a brave new world. Caroline Flack’s suicide had made us think more than ever about the concept of kindness, and when people started dying in their thousands, we finally started to act on these thoughts. The helplessness and terror that every single one of us felt meant that, for a brief, almost magical period, we forgot about our differences and started to pull together. We checked in on friends and family. We put notes through the doors of complete strangers. We celebrated love. We accepted hardship and learned to put up with lack of food and interminable queuing.

And yet, within weeks, we were divided again. A new script emerged that we were forced to use. You couldn’t talk about going for a walk unless you added the words “socially-distanced”, key workers had to be described as “brave” and so it went on. If you broke the new laws, or used the wrong script, then the cracks started to open again. People became incensed: “what? You don’t wear a mask?” “How dare those dreadful Londoners living in flats without gardens go to their local park?” “How dare these people go to a beach on a sunny day?” “What?! You’re not applauding the NHS at 8pm on a Thursday? You are so uncaring…”

And, of course, the moment Dominic Cummings messed up, the seething anger and bitterness which had built up in us all whilst being cooped up in tiny houses, flooded over the country like an oil slick. You’d think he’d ridden through County Durham with a machine gun and a machete, our anger was so intense. “He must be sacked!” “No, sacking is too good for him” "Covid is his fault" “Burn the witch…” And, as lockdown finally eases, we are back in our echo chambers, literally tearing each other apart, demanding that certain public figures are cancelled for expressing independent ideas or flying too close to the inappropriate wind. We demand that art is censored. Our silence is violence. Our words are violence. We support Black Lives Matter and then the official UK Twitter account for the group starts to tweet antisemitic conspiracy theories but if you criticise them, you're racist and sent into a corner to "do the work." In short, we can’t win. No one wants to debate because no one can be bothered to listen to two sides of an argument. We only read the comments or newspapers which re-enforce our own views whilst living in a culture of absolute fear. Nuanced conversations have been forced behind closed doors, into conspiratorial whispers, whilst those who scream the loudest use sweeping, deeply unacceptable terms like “fascist" “Nazi” and “genocide” to re-enforce their hatred of the people who refuse to bang their drum. Is whipping people into submission a way of making the world a better place? Do we genuinely believe that we can change someone’s mind by attacking them?

Until very recently I thought I could fight it. Moreover, I felt it was my DUTY to fight it, having seen, first hand, the hell that happens when you don’t. I now realise I can’t. A good friend of mine finally got through to me in one of those text messages which you just want to frame for future reference; “let the terrible twos rage. I’m not engaging. People just want to bicker. I prefer to transcend, knowing my own truth.”

And suddenly it was like a weight was being lifted from me. I no longer needed to be the man who rants about politics, about Brexit, about social justice warriorism and virtue signalling. By ranting about the dangers of all of this, I am no better than those who have stolen my right to call myself left wing from me. I need to focus on my own truth… or perhaps try to find my own truth. There’s a long old road ahead of me, I will fall off the wagon countless times, I’m sure, but I need to do this for my own mental health.

Twitter is no longer on my phone. I no longer watch the news. I am actively attempting to surround myself with beauty, music, kindness and joy, so that, instead of throwing negativity and bitterness into the ether, I’m creating art which moves people and gives them the space to be transported from the anger of the world.

And that, my friends, is the last I will write on the issue…

But the blog is back, so what am I going to write about?

I’ll confess. Lockdown for me was a rather special time. I was lucky. Sure, I lost a tonne of work but I had Nathan. Though three people died at my shul, I didn’t lose anyone hugely close to me. And, more than anything else, because I had the sodding illness, early on, I was able to be a little more adventurous. Once the terrible fog of COVID had cleared and my creativity returned, I was able to go out and experience the joyful silence of London. I could go for long walks in the seemingly never-ending sunshine. We could explore the joys of the green belt, which turned out to be just half an hour’s walk from our house. We were able to watch the days getting longer and longer and feel that extraordinary sense of optimism growing on a daily basis. For the first time in years, I watched the seasons turning.

…And I photographed everything fanatically because I knew I was living in a remarkable time which I would probably never see again. And so, for the next however long, this blog will be a testimony to that remarkable time. I will publish one photograph a day from the lockdown period and write a little bit about how I was feeling when I took it.

I very much hope you will join me on a journey into a unique time, and enjoy experiencing it through my eyes.

Photograph One. Chalk messages. April 2nd, 2020

Whilst still recovering from COVID, Nathan and I started to take advantage of our permitted daily walk. To begin with, it was simply a way of regaining strength - we would walk up the tiniest incline and find ourselves breathless - but the feeling of fresh air was very healing after two weeks trapped inside. The outside world, however, was very frightening. Lockdown happened a week into our illness, so emerging into the new world was like walking into a dystopian novel. Everything was deathly silent. Cars no longer roared down the once busy Ballard’s Lane. A masked young lad on one occasion rode past me on a bicycle yelling vaguely homophobic comments before screaming “covid” and coughing in my direction. The shops were empty. Passing someone in the street involved stepping out into the middle of the road whilst holding our breath to give them as wide a berth as possible. We crossed over the road for old people. We could hear bird song. The rustling of trees. The barking of foxes. My neighbour attempting to play "Tequila" on a guitar. Over and over again. And we discovered the joys of the Dollis Valley Green Walk, which follows a brook that runs all the way from Hampstead Heath, through Finchley, into the greenbelt.

But despite the beauty of Dollis Brook, those early days were highly depressing. It was still winter. Gales in February had brought down all manner of trees. Paths were muddy and everything seemed spiky and wintry.

Our strength grew and the walks became longer, and, to our great joy, we discovered that people were chalking messages of hope onto the pavements by the side of the stream. The messages touched both of us. The sentiments were simple but optimistic:

“Focus on the right things. 

Stay strong.
Make a difference.
Stay connected.
Be kind.
Look after each other.
Stay hopeful.”

I look back to those times and realise we were both broken men. The symptoms seemed endless. The illness affected our minds. We couldn’t focus on anything. We felt depressed. We were scared. We’d lost our sense of smell and taste. But to those two, frightened, hobbling, breathless men, those messages meant the world. And I send my heartfelt thanks to whoever wrote them.

The SJWs are back

I read a rather troubling piece on the BBC website today which suggested that TV presenter Ben Fogle had got into a bit of trouble for suggesting that we could all open our windows at 9am on the Queen’s 94th birthday this coming Tuesday to sing happy birthday to her.

Cue the entrance of the Social Justice Warriors, whose pissy scripts have changed very little since the Coronavirus crisis began:

"Next Tuesday will have been many people's birthdays. Some of them may be dead due to Coronavirus” 

"The Queen is a very wealthy woman who could be donating £millions to NHS and opening up one of her palaces for use as a hospital.”

"Let's save the clapping/singing for the frontline heroes shall we?”

And then the obligatory pompous dig: “Really misread the room with this one Ben."

Patently Ben Fogle is not a bad man for suggesting that the country unite to sing to the Queen. She is beloved to many and frankly, I rather like all initiatives which enable people to come together in these lonely and difficult times. Plainly Ben Fogle wasn’t suggesting that anyone should be forced to do something they didn’t want to do. He was just mooting an idea, which, it turns out, had come from his 8-year old daughter. 

The idea that ANY of the Queen’s Palaces would be appropriate for use as a hospital is laughable. This is not the First World War. You can just see the decision makers can’t you; “right, we’ve been offered EXCEL in the heart of London where the virus is rife with its huge, concrete-floored rooms where thousands can be treated… but, wait, the Queen has offered the dusty ballroom and drawing rooms at Sandringham in Norfolk. She says she’s got a special deal with the Big Yellow Storage Company and can get the Whistler paintings whisked away in an appropriately socially-distanced way.  We reckon we have space for at least 17 beds...” 

Accusing someone of not being behind NHS Workers has the same ring to it as the empty cries of racism which blighted the internet last year. Only the most horrible people would try to argue that the NHS isn’t vital and wonderful, but it seems it’s incredibly easy for a twisted mind to warp someone else’s words to make it look like they’re arguing just that! It’s a form of thought-control. It’s gas-lighting. It’s mean-spirited, pathetic virtue-signalling. 

There is space in the world for those who want to sing Happy Birthday to the Queen as WELL as those of us who want to applaud the NHS. Doing one absolutely does not preclude doing the other. Neither is regulatory. 

We’re all doing our bit - or trying to at least. We all get it wrong from time to time, or snap under the pressure. There isn’t a hierarchy of pain during this crisis. There’s only love. And I’m still not sure this message is quite getting through. If you can't be kind, use your spare time learning a foreign language or a musical instrument. It's better for your soul. 

Turn down the suspicion

I watched the deputy chief medical officer making an announcement on the television a few days ago. She seems to think that we might be in this lock-down scenario for another six months, which is information I’m sure the majority of us took with an inward gasp of air. It really got me thinking: Obviously people are dying at the moment - in almost staggering numbers - and for the time being, health professionals probably need to be taking the lead in guiding us through the early stages of this pandemic. But, at a certain point, if the economy collapses because no one is allowed to go back to work, we could face a far deeper crisis. We are justifiably protecting the vulnerable in society at the moment, but, as lockdown measures continue, a whole new set of people will find themselves in deep water, and the government can’t keep bailing us out - particularly if there’s no hope of our economy being kick-started. 

Of course, there’s a lot of talk of kindness at the moment and, almost every time I look at social media, I find myself moved by the genuinely altruistic gestures of others. But I’m also seeing a lot of self-serving posturing and general virtue-signalling, which I think we could all do without - particularly from celebrities who seem to take great delight in posting their marvellous messages of hope from beautiful houses which look out onto enormous gardens. And, furthermore, in the process of demonstrating that “we’re all in this together”, others are taking to the Internet and being quite horrible to those they feel are not towing the virtuous party line. 

After what we went through last summer, it was no surprise to me that a knitter decided to use the “clap for our carers” initiative as an opportunity to “call out” Nathan, whose weekly online knit-a-long happens to start at 8pm on a Thursday, the very time that those of us who felt moved to do so were opening our windows and applauding our over-stretched health service. This knitter’s tone felt horribly smug and self-righteous, as she admonished Nathan for “making money” whilst the rest of us thanked our brave NHS workers. And to that knitter I say the following:

1. Nathan’s online knit-a-longs are for people around the world and not just Brits
2. Nathan is running them (without any form of monetising) so that people, at the same time each week, can check in with members of their community in a period where many are suffering great loneliness
3. Gestures of kindness and solidarity like the “clap for our carers” initiative are only magical if people take part in them because they want to, and not because they’re told it’s a duty. 

We really need to stop focussing on what other people are doing and start focussing on what we ourselves are doing during this crisis. Quietly turn the negativity into positivity.

Let me make this statement: We are all different. We are all dealing with this awful situation in the best way we can. Some of us are coping better than others. Some of us are better placed to cope than others. Most government advice, in my experience, seems to assume that the majority of us are part of a nuclear family. But many people I know, of all ages, are living on their own and this lockdown is causing anxiety and waves of terrible loneliness.

The other thing I have observed in the few days I’ve been out of the house for walks since my Covid-19 quarantine effectively came to an end is how people, certainly in London, are really icy with those they pass in the street when they’re out on their constitutionals. I understand that we’re all terrified - but we’re not going to pass coronavirus onto anyone by smiling whilst we’re doing that hysterical do-se-do around them, whilst, simultaneously (if you’re me) holding our breath. It really isn’t very kind to look at everyone you pass like they’re plague victims. 

Nathan and I went down to Hampstead Garden Suburb for our walk yesterday. It’s now 18 days since we got the virus, so, by every calculation we’re now fully recovered. I celebrated by getting a vegetarian pastie at Daniel’s, a kosher bakery in Temple Fortune. There were only three people in the shop and two women were queueing behind us. As we turned to leave, one of these women scuttled to the other end of the shop. The woman behind her, somewhat confused, asked if she was still in the queue to which the scuttling woman replied “yes, I just wanted to get away from THOSE people.” She pointed at us like we’d just shat on the floor. As we left, Nathan addressed her, “it’s very difficult not to be offended by that remark…” I’m sure, had she found out that we’d actually had the virus, she would have considered her dreadfully unkind statement to have been justified. As it happened, it just upset me. Coronavirus, it turns out, isn’t a great deal of fun. I have had a pretty awful pair of weeks and I was actually really excited that I had sufficient energy to go for a walk and enough appetite to want to eat a pastie. I get that we’re all terrified, I really do, and perhaps it’s easier for me to say this, as someone who’s recovered relatively unscathed, but we really need to turn down the suspicion by a notch and start to treat those we’re forced to interact with with a little more respect.