Nathan rushed off to Parson's Green this morning for an emergency ear syringing. He's always suffered from a build up of wax in his ears, and no one ever seems to be able to offer a definitive answer regarding whether syringing - or lavaging as they call it in the States - is good for the ears or not. Whether the procedure is good or bad, the emergency NHS walk-in clinic at Parson's Green is an undiscovered London gem. It's open every day, and doesn't seem to generate the ludicrous waiting times that you get in hospitals.
We had lunch in the greasy spoon when Nathan returned, before ploughing head-long into a mega session on songs from Em, which finally finished at around 11pm. Nathan has an astoundingly good eye/ ear for detail when it comes to music - particularly sung music - and has cutthroat, somewhat dogmatic views when it comes to scansion. The beats in music that words are placed on are of great importance to Nathan. In his view, it's a great sin to sing a word in a rhythm that you wouldn't naturally speak it in. And he's right. So often, in music - across the board from opera through to pop - composers place the wrong syllable on the wrong beat of the music, and this often either leads to misinterpretation of meaning, or the general sense that the character or artist singing the words is of limited intelligence! I'm personally pretty good at avoiding this particular misdemeanour, but every so often, a clanger pops into my writing, which Nathan expunges with alacrity. He's very good at rolling his eyes to the back of his head and giving me a look which says "really? You really think that's good enough?" It's good for me to be challenged.
So, essentially, we sat for eight hours today underneath headphones. And still we're not done. We'll get there, and actually, as a result of the work we did, I'm getting rather excited about Em, and the journey which lies ahead. I think I've written some belting music which will both move and excite the listener. There is, however, a deliberate, yet somewhat hidden double entendre lurking in one of the song's lyrics. It's so filthy that I'm actually not going to point it out to any of the cast in the hope that they'll innocently sing it for five shows, wondering why little pockets of the audience are in stitches! It's one of those double entendres that you have to have a certain kind of mind to notice. Brownie points to the first person who spots it!
We finished work and watched Ru Paul's Drag Race, which is one of my favourite TV shows in the world. It is quintessential cult viewing, ram-packed with catch-phrases which fans of the show will happily quote to one another whilst everyone else stands by and goes "what?!"
Nathan finished knitting a stunning cowl this evening which looks like some kind of primitive art sculpture from the 1970s. It's actually one of the best pieces of knitting he's ever done. It's really textured and three-dimensional and I'm sure it's going to be a very popular pattern. He's sewing the ends in whilst I write this.
Brother Edward face-timed me from Kiev. He's there for the Eurovision Song Contest. Yes. It's that time of the year again! The gay men's World Cup. I can feel my heart pounding at the thought!