I’ve just made it to the end of Act One of the first draft
of Brass! I finished it, rather eccentrically, whilst sitting on a bench at
Highgate station. I’d got into a bit of a roll on my tube journey home, and wanting
to remain in the moment. I’m still writing absolute rubbish, of course, but
this feels like the first of many milestones. I saw Sam earlier on and wondered
how I’d feel if I died and someone decided to take the project on. Obviously I’d
feel nothing because I’d be dead, but the person tasked with piecing together
the work might wonder why I thought it was going to be so good. That’s how I always
feel about these little scraps of manuscript they find from great composers
which are duly turned into epic symphonies by musicologists. Surely the
composer had many more drafts planned and would be horrified that it was being
heard before it was ready? Depends on the composer, I guess.
I met Sam in the most expensive tea shop in the world. It’s
a fancy French place on Greek Street, or is it Dean? £15 for a pot of tea for
two and a couple of mediocre cakes strikes me as a little pricey! My chocolate croissant
was decidedly stale. A quid’s worth of stale is one thing but four quid’s worth
is a little annoying. Still, the place
had a lovely ambience, and, as Sam says, you pay a healthy mark-up for the
bohemian surroundings and the feeling that you’ve time-slipped to the 1950s. We
were there with Stephen West, who I last saw on holiday in Italy about a year
ago. He was decked out in bright orange Vivienne Westwood; the knit-wear
designing must be going very well. It’s good to know someone can make it in
that particular field. He apparently tweeted a picture of Nathan’s latest scarf
which got something like 500 likes. Ah! The power of fame and knitting!
I walked home via Oxford Street and was horrified to see
what can only be the beginnings of the Christmas lights. Giant glowing snowballs
were hovering over the street and the windows of many of the shops were
bursting with winter wonderlands with many of the mannequins sporting Santa
hats. It all looks very lovely, and I’m sure the lights will be a roaring
success if they’re not sponsored by Tango, but I don’t know, it all makes me a
little sad.
To quote Sam again, the trouble with announcing Christmas in
the middle of October is that it takes away from the wonderful pagan festivals
we have coming up; Hallowe’en, Bonfire Night, Harvest festival, All Souls’ Day...
These are the most mysterious and potentially the most exciting of all the
annual events, and denying them in the rush to start the Christmas ball rolling
feels so sad. The year’s not dead yet. Let’s not kill it just off for the sake
of consumerism.
I spent last night dreaming, yet again, about Roy Harper’s
music. My brain was going over every corner of “Me and My Woman”, which is one
of his seminal 20-minute epic tracks and one of the more challenging sequences
from my perspective. I wonder if it will ever leave my brain!
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